The props discipline combines creativity and rigorous organization. Creativity comes in when a prop needs to be built or invented. Think of films set in space and all the weapons that need to be created. Keeping track of the sheer number of props and making sure they are ready when needed explains the need for rigor.

The department is led by the props master, who works with the art director, production designer and set decorators to draw up a props list. Prop buyers rent or purchase items that don’t need to be built. Prop builders tackle the Items that need to be created.

Everything has to fit the onscreen world. Period dramas can’t have modern items. Futuristic thrillers need high-tech gadgets.

The props department is represented by IATSE.

Communication

Hundreds of props mean hundreds of conversations.

Organization

The props have to be set and ready to go before every scene. Continuity must also be maintained.

Creativity

Building or distressing props to make them appear old takes an inventive flair.

Film knowledge

The props have to serve and further the director’s artistic vision. It’s essential to know how props will look on camera.

The right props contribute to the success of any production. They deepen the mood and atmosphere of a film. They help directors achieve their artistic vision. They help actors give convincing performances. In short, props are critical. And when it all comes together, it’s big props for the props department.